Date: 1pm – 5pm, Friday 10th June, 2016
Venue: RMIT Design Hub, level 8 longroom
The “sharing economy” deals with spare capacity that can be rented out. File sharing makes replicable digital content illicitly available. Both developments exist in a culture of owned personal or corporate resources (Light and Miskelly 2014). What if we turn our focus to shared world resources?
World Machines are a new archetype for the design of systems that draw together computational powers to connect, sense and infer with a social agenda of cross-world collaboration. A world machine equips global citizens with access to the means to sample, test and report on their circumstances and what they see (or can sense with tools), as well as to find each other, analyze the meaning of the data and link up for action upon what is found.
New tools give us a new ability to trace actions and manage attribution. Connected data points to cause, effect and correlations more powerfully, showing the impact of activity taking place in one situation in terms of social, environmental or economic change elsewhere. Systems that articulate these relations, as well as engender them, can be seen as a class of political action related to maker/making movements, with a particular ecological vision that resists current notions of progress and economic rationalism. The workshop will be focusing on how such socio-technical systems can be put to use and ways of thinking about the potential of networks that contribute to a new global relations, without damaging local cultures.
This workshop is facilitated by Ann Light who has conducted World Machines workshops so far in Denmark and the UK. She is a Professor of Design and Creative Technology at the University of Sussex and was principal investigator on the UK Digital Economy’s Design for Sharing research project and research director on Fair Tracing – global research into providing producer-generated provenance information to support ethical buying decisions – as well as several Connected Communities projects looking at how we dwell together in the highly mediated and mediatized world of the 21st century. She is particularly concerned by patterns of inclusion and the politics of design.